Scrolling Headlines:

UMass men’s basketball’s late comeback falls short after blowing 15-point first-half lead -

January 15, 2017

UMass hockey outlasted at home against No. 6 UMass Lowell -

January 14, 2017

Hailey Leidel hits second buzzer beater of the season to give UMass women’s basketball win over Davidson -

January 13, 2017

UMass football hosts Maine at Fenway Park in 2017 -

January 12, 2017

UMass men’s basketball snaps losing streak and upsets Dayton Wednesday night at Mullins Center -

January 11, 2017

UMass women’s track and field takes second at Dartmouth Relays -

January 10, 2017

UMass hockey falls to No. 5 Boston University at Frozen Fenway -

January 8, 2017

UMass professor to make third appearance on ‘Jeopardy!’ -

January 8, 2017

UMass women’s basketball suffers brutal loss on road against Saint Joseph’s -

January 7, 2017

UMass men’s basketball drops thirds straight, falls to VCU 81-64 -

January 7, 2017

UMass men’s basketball drops tightly-contested conference matchup against George Mason Wednesday night -

January 4, 2017

Late-game defense preserves UMass women’s basketball’s win against rival Rhode Island -

January 4, 2017

AIC shuts out UMass hockey 3-0 at Mullins Center -

January 4, 2017

UMass professor to appear as contestant on ‘Jeopardy!’ Thursday night -

January 4, 2017

Penalties plague UMass hockey in Mariucci Classic championship game -

January 2, 2017

UMass men’s basketball falls in A-10 opener to St. Bonaventure and its veteran backcourt -

December 30, 2016

UMass woman’s basketball ends FIU Holiday Classic with 65-47 loss to Drexel -

December 29, 2016

UMass men’s basketball finishes non-conference schedule strong with win over Georgia State -

December 28, 2016

Brett Boeing joins UMass hockey for second half of season -

December 28, 2016

Winning Hult Prize team at UMass to travel to semi-finals of competition in March -

December 28, 2016

On the road at the New England Metal Festival: part 2 (continued)

This story is part one of a two part series. Collegian writers Dave Fonseca and Patrick Rennick completed a three-day road trip touring several hardcore metal rock shows. The following is a diary of their trip.

We approached Sunday with renewed vigor. Saturday had presented its share of highlights, namely Cryptopsy’s full rendition of None So Vile, but the proceedings left us feeling more drained than anything else. However, with Sunday’s high metal to hardcore ratio, we were more than willing to slug it out for one more day. The crew arrived just in time to catch the beginning of Behemoth’s set. Their brand of subtly technical and acerbic death metal translates perfectly live. While the intricacies were somewhat muddied by the Palladium’s sound system, any Behemoth fan worth their salt had no difficulty keeping pace. Playing a reasonable mix of their last three albums, the set culminated in Demigod’s “Conquer All,” a song that’s rightly become a live staple.

To our pleasant surprise, Canada’s Three Inches of Blood followed. The band was running behind due to a 30-hour trek to Worcester and had swapped sets with Behemoth. Undeterred by the fatigue of being held up in a van for two days straight, the band unleashed a hearty battle cry upon all in attendance. With tongues firmly planted in cheek and broadsword in hand, the band cranked out songs about pirates, “Fear on the Bridge”, settling scores, “Revenge is a Vulture” and obliterating posers, “Deadly Sinners.” These guys purvey a style of nostalgic metallic truth, which while unabashedly hokey is simply fun. In a live setting such as this, there was very little to hate about 3IB.

North Carolina’s Between the Buried and Me followed. Eschewing their more tender moments for a set of unrelenting brutality, their jazz tinged death-core was a highlight of metal fest. While it would have been nice to hear fan favorites such as, “Mordecai” and “Aspirations”, the tight riffing and potent grooves of “Shevanel Cut a Flip” and “Lost Perfection” proved that a band can indeed incite massive pit action without having to lower themselves to mindless chugging and drum syncopation.

Utilizing a cutting-edge strategy of running in front of everyone waiting in line for the Palladium’s smaller second stage, we broke through to the soon-to be killing ground for Denver’s Cephalic Carnage. Despite the best efforts of Palladium security, fans rushed into the area, severely overcrowding the floor space. What ensued can only be described as pure and unbridled mayhem. As the band launched into their schizophrenic brand of technical death-grind, the floor responded with a mosh pit that resembled Wall Street after a market crash. Cephalic Carnage decided to end the set with the classic, “Kill for Weed” a brutal call for legalization.

Hypocrisy led metal-heads on a sonic journey into the realm of alien abductions and astrology. Peter T

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