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UMass tuition set to rise 3-4 percent for 2017-2018 school year -

July 18, 2017

PVTA potential cuts affect UMass and five college students -

July 10, 2017

New director of student broadcast media at UMass this fall -

July 10, 2017

Whose American Dream? -

June 24, 2017

Man who threatened to bomb Coolidge Hall taken into ICE custody -

June 24, 2017

Cale Makar drafted by Colorado Avalanche in first round of 2017 NHL Entry Draft -

June 24, 2017

Conservatives: The Trump experiment is over -

June 17, 2017

UMass basketball lands transfer Kieran Hayward from LSU -

May 18, 2017

UMass basketball’s Donte Clark transferring to Coastal Carolina -

May 17, 2017

Report: Keon Clergeot transfers to UMass basketball program -

May 15, 2017

Despite title-game loss, Meg Colleran’s brilliance in circle was an incredible feat -

May 14, 2017

UMass softball loses in heartbreaker in A-10 title game -

May 14, 2017

Navy sinks UMass women’s lacrosse 23-11 in NCAA tournament second round, ending Minutewomen’s season -

May 14, 2017

UMass softball advances to A-10 Championship game -

May 13, 2017

UMass basketball adds Rutgers transfer Jonathan Laurent -

May 13, 2017

UMass women’s lacrosse gets revenge on Colorado, beat Buffs 13-7 in NCAA Tournament First Round -

May 13, 2017

Meg Colleran dominates as UMass softball tops Saint Joseph’s, advances in A-10 tournament -

May 12, 2017

Rain keeps UMass softball from opening tournament play; Minutewomen earn A-10 honors -

May 11, 2017

Former UMass football wide receiver Tajae Sharpe accused of assault in lawsuit -

May 10, 2017

Justice Gorsuch can save the UMass GEO -

May 10, 2017

I must disagree with Shayna, it happens

Shayna Murphy reviewed Danny Boyle’s new film Slumdog Millionaire” earlier this week. And I must disagree with her “B” rating. Now I know our rating system is flawed (which one isn’t?) and it is completely subjective. But I must give Boyle’s new film an “A” on our rector scale.

The film breaks so many conventions of the common love story. Yes, all the cliches are there. But what Boyle does with them is what separates this film apart from others in recent years. He uses the conventions as a back-drop for the slums of India and the story of a man in search of love, while trying to survive the dangers of being a homeless boy walking the streets of the city of Mumbai.

He must survive gangsters, his own brother, tourists, police and rioters. Jamal Malik makes it out alive. He makes it out with only minor scars, until his love Latika is introduced.

When Latika comes into the story, being introduced as the unknown “Third Musketeer,” the movie moves from survival to love and what humans will go through to live life with another person.

The movie moves its narrative through the Indian version of “Who Wants to be a Millionaire.” Jamal grinds his way through the questions to the grand prize of 20 million Rupees. The scummy host cannot believe that a “slumdog” is answering the questions, and not cheating.

He in turn has Jamal tortured after a taping of the show to find his own answers.

Jamal has a simple answer for his torturers: he lived all the questions and answers. That is the narrative. Simple. We jump back and forth from game show to life.

But what Boyle does with the narrative is genuine. He uses the camera as another story-teller, never using it as another fly on the way. The chase sequences are marvelous. Like in “28 Days Later” and other Boyle films, he uses shadows, close-ups, light and pitch-perfect music to score the chases making them more alive than a real chase.

What Boyle does to convey the heat and the cramped spaces of Mumbia and the slums of India i highlighting yellow and white through filters. Making the colors more permanent, giving the eyes something to focus on and feel.

The use of subtitles is one special thing that Boyle does in the film. He gives a new look into how we see a foreign film, and how we read subtitles. The few subtitles used are never placed off the screen, but rather they are in the picture, placed gently inside open space in each shot. This stylization doesn’t allow the viewer to ever look away from the action. It is a small thing to rave about, but it does enhance the film’s experience.

Go see “Slumdog Millionaire.” December 12 at Amherst Cinema. And check out Ty Burr’s Review. Here is a Q & A with the star Dev Patel. And another with Mr. Boyle himself.

4 Responses to “I must disagree with Shayna, it happens”
  1. Shayna_Murphy says:

    ouch. burned in the title and everything.


  2. Kevin Koczwara says:

    I’m sorry Shayna.
    It works best to do it that way.
    You burn me all the time.
    But it is my opinion, this still needs editing, I wrote it before our section meeting.

  3. Shayna_Murphy says:

    i think it’s good, though. you make mention of some things i totally spaced on, like the way boyle used the camera, letting it dart around and follow the action naturally.

  4. newenglandnoir says:

    Can’t wait to see this.

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