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Man who threatened to bomb Coolidge Hall taken into ICE custody -

June 24, 2017

Cale Makar drafted by Colorado Avalanche in first round of 2017 NHL Entry Draft -

June 24, 2017

Conservatives: The Trump experiment is over -

June 17, 2017

UMass basketball lands transfer Kieran Hayward from LSU -

May 18, 2017

UMass basketball’s Donte Clark transferring to Coastal Carolina -

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Report: Keon Clergeot transfers to UMass basketball program -

May 15, 2017

Despite title-game loss, Meg Colleran’s brilliance in circle was an incredible feat -

May 14, 2017

UMass softball loses in heartbreaker in A-10 title game -

May 14, 2017

Navy sinks UMass women’s lacrosse 23-11 in NCAA tournament second round, ending Minutewomen’s season -

May 14, 2017

UMass softball advances to A-10 Championship game -

May 13, 2017

UMass basketball adds Rutgers transfer Jonathan Laurent -

May 13, 2017

UMass women’s lacrosse gets revenge on Colorado, beat Buffs 13-7 in NCAA Tournament First Round -

May 13, 2017

Meg Colleran dominates as UMass softball tops Saint Joseph’s, advances in A-10 tournament -

May 12, 2017

Rain keeps UMass softball from opening tournament play; Minutewomen earn A-10 honors -

May 11, 2017

Former UMass football wide receiver Tajae Sharpe accused of assault in lawsuit -

May 10, 2017

Justice Gorsuch can save the UMass GEO -

May 10, 2017

Minutemen third, Minutewomen finish fifth in Atlantic 10 Championships for UMass track and field -

May 8, 2017

UMass women’s lacrosse wins A-10 title for ninth straight season -

May 8, 2017

Dayton takes two from UMass softball in weekend series -

May 8, 2017

Towson stonewalls UMass men’s lacrosse in CAA Championship; Minutemen season ends after 9-4 loss -

May 6, 2017

Rock like a “Man Man” in NoHo this weekend

Philadelphia-based experimental rock group Man Man will perform in Northampton this Saturday, Oct. 3 at 9 p.m. at the Pearl Street Nightclub. Tickets can be purchased on the Pearl Street website for $12.50 or at the door for $15.

Man Man’s current lineup is currently comprised of a fluctuating number of multi-instrumentalists with pseudonyms, fronted by vocalist/keyboardist Ryan Kattner (or “Honus Honus”). The other core members go by “Sergei Sogay” on bass, “Chang Wang” on saxophone, “Pow Pow” on drums and “Critter Crat” on guitar/trumpet.

They have released three albums since their formation in 2003 The most recent, “Rabbit Habits,” was released in April of last year to generally positive reviews and the band’s greatest commercial success yet (despite a fairly negligible sales impact).

Musically, Man Man’s style is a blend of gypsy jazz, honky-tonk vaudeville and frenetic rock. Their startling arrangements hide forgotten treats like the clavinet, sousaphone and euphonium alongside the electric bass, synthesizer and – in a jam – fire extinguisher. The antique mischief in their instrumentation, anchored by Honus Honus’s piano, brings their sound into the realm of mythic Americana.

In their notoriously raucous live shows, Man Man has been known to perform theatrical stage antics, from jarring light displays, jumping and kicking in time to already jerky rhythms. In preparation for these performances, each member dresses in all white and wears war paint, giving the group a collective character like that of a feral tribe of tennis players.

Their oddball instrumentation, absurdist sensibilities and over-the-top theatrics belly a certain melancholy that covers all of their music in a Gothic shade (that’s Poe’s “Gothic,” not your little sister’s “gothic”). Man Man’s bombastic sadness recalls Tom Waits at his best and P.T. Barnum at his worst.

It’s that damp, back-alley street music dynamic – at once exciting and gloomy – that has endeared Man Man to their fans and confused and repulsed everyone else. In spite of the predictably low record sales that come with independent releases and (arguably) inaccessible music, they have garnered a good deal of media attention. Their music has been featured in a line of Nike ads starring Rainn Wilson and an episode of Weeds.

Less unwarranted is their wide exposure on the indie scene. They achieved relative prominence during their 2007 tour with Modest Mouse, where their wild-eyed stage capers wowed audiences and, by many accounts, upstaged the aforementioned headliners. Then, in 2008, they played at the Voodoo Experience music festival.

But on Saturday night, they will be playing to a club crowd – albeit in a club with a capacity of 1200. So all those strange, swampy, sad-clown stage surprises that have made Man Man such an intriguing act will feel right up close and personal, such that one might almost be able to reach up and stroke Honus Honus’s mustache or flip a silver dollar into the bell of Chang Wang’s sax. In fact, if you are at the show Saturday night, you should definitely throw some change at the stage – the band would doubtless incorporate it into their unholy percussive chorus.

Garth Brody can be reached at gbrody@student.umass.edu.

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