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Man who threatened to bomb Coolidge Hall taken into ICE custody -

June 24, 2017

Cale Makar drafted by Colorado Avalanche in first round of 2017 NHL Entry Draft -

June 24, 2017

Conservatives: The Trump experiment is over -

June 17, 2017

UMass basketball lands transfer Kieran Hayward from LSU -

May 18, 2017

UMass basketball’s Donte Clark transferring to Coastal Carolina -

May 17, 2017

Report: Keon Clergeot transfers to UMass basketball program -

May 15, 2017

Despite title-game loss, Meg Colleran’s brilliance in circle was an incredible feat -

May 14, 2017

UMass softball loses in heartbreaker in A-10 title game -

May 14, 2017

Navy sinks UMass women’s lacrosse 23-11 in NCAA tournament second round, ending Minutewomen’s season -

May 14, 2017

UMass softball advances to A-10 Championship game -

May 13, 2017

UMass basketball adds Rutgers transfer Jonathan Laurent -

May 13, 2017

UMass women’s lacrosse gets revenge on Colorado, beat Buffs 13-7 in NCAA Tournament First Round -

May 13, 2017

Meg Colleran dominates as UMass softball tops Saint Joseph’s, advances in A-10 tournament -

May 12, 2017

Rain keeps UMass softball from opening tournament play; Minutewomen earn A-10 honors -

May 11, 2017

Former UMass football wide receiver Tajae Sharpe accused of assault in lawsuit -

May 10, 2017

Justice Gorsuch can save the UMass GEO -

May 10, 2017

Minutemen third, Minutewomen finish fifth in Atlantic 10 Championships for UMass track and field -

May 8, 2017

UMass women’s lacrosse wins A-10 title for ninth straight season -

May 8, 2017

Dayton takes two from UMass softball in weekend series -

May 8, 2017

Towson stonewalls UMass men’s lacrosse in CAA Championship; Minutemen season ends after 9-4 loss -

May 6, 2017

Michael Moore’s Newest Love Child

As one of the most commercially successful documentary filmmakers in history, Michael Moore once again finds himself the subject of inquiry following the release of his most recent collection of criticism on America, “Capitalism: A Love Story.” 

Thirsting for answers to the questions on the minds of the majority, Moore sets out to uncover the reasons behind the financial crisis that has remained an issue in the United States since 2007. “Capitalism” captures Moore’s efforts to understand the origin of the financial crisis and the collapse of the “American Dream.” 

This film, currently playing at the Amherst Cinema, will be presented as part of a special event on Wednesday, Oct. 6, which includes an introduction to the film and a discussion after the showing, both hosted by Class Action, a non-profit organization aimed at eliminating classism from the world. Classism is defined as the assignment of ability and worth based on the system of social classes.

Class Action’s mission is to rid the world of classism, a change that would, among other things, reduce “vast differences in income, wealth and access to resources,” according to the group’s website. Class Action “provides training, strategies and resources to explore class and dismantle classism.” The organization works towards its goal of a world without classism by working with various philanthropic institutions and places of higher education, including the Five Colleges and helping individuals develop an awareness of classism by hosting workshops and discussions open to the public.   

Class Action was officially incorporated as a non-profit organization in July 2004. Its founders, Jennifer Ladd and Felice Yeskel, began holding workshops and forums to bring awareness to classism in 2001, hosting events open to the public in Western Massachusetts. 

Moore’s films have generally been the subject of much controversy. Moore introduced himself to the documentary world with his film “Roger & Me” In 1989, which documented the effects of General Motors closing down their Flint, Michigan factories and how the change affected Moore’s hometown of Flint. Moore’s second documentary, “Bowling for Columbine,” examined the student shooting that occurred on April 20, 1999 at Columbine High School in Columbine, Co. and the gun control laws in America. Moore was the subject of much criticism and scrutiny following the release of this film, with a large portion of the public labeling the film as nothing more than propaganda.

In “Fahrenheit 9/11,” Moore investigates the actions of the Bush administration following the attack on the World Trade Centers in New York City in 2001. Like his previous film, this generated a lot of controversy, causing some to label the project as more propaganda. Moore responded to these claims by publishing a credible list of facts and sources he used to create the film. Moore’s 2007 documentary, “SiCKO,” takes a look at the American healthcare system and compares it to those of other countries, such as Canada, France and the United Kingdom. Controversy followed the release of this film too, with the Treasury Department investigating Moore’s trip to Cuba during the making of the film, and whether or not the trip violated the U.S. embargo against Cuba. Moore responded by citing that trips made for the sake of journalism are not in violation of the embargo, and do not require authorization by the State Department.

“Capitalism: A Love Story” is sure to raise many questions and generate a lot of discussion amongst the audience following the film. 

The showing and discussion of “Capitalism: A Love Story” will be on Wednesday, Oct. 6 at 7:15 p.m. at Amherst Cinema, located at 28 Amity Street.

Steven Baum can be reached at

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