Scrolling Headlines:

UMass basketball lands transfer Kieran Hayward from LSU -

May 18, 2017

UMass basketball’s Donte Clark transferring to Coastal Carolina -

May 17, 2017

Report: Keon Clergeot transfers to UMass basketball program -

May 15, 2017

Despite title-game loss, Meg Colleran’s brilliance in circle was an incredible feat -

May 14, 2017

UMass softball loses in heartbreaker in A-10 title game -

May 14, 2017

Navy sinks UMass women’s lacrosse 23-11 in NCAA tournament second round, ending Minutewomen’s season -

May 14, 2017

UMass softball advances to A-10 Championship game -

May 13, 2017

UMass basketball adds Rutgers transfer Jonathan Laurent -

May 13, 2017

UMass women’s lacrosse gets revenge on Colorado, beat Buffs 13-7 in NCAA Tournament First Round -

May 13, 2017

Meg Colleran dominates as UMass softball tops Saint Joseph’s, advances in A-10 tournament -

May 12, 2017

Rain keeps UMass softball from opening tournament play; Minutewomen earn A-10 honors -

May 11, 2017

Former UMass football wide receiver Tajae Sharpe accused of assault in lawsuit -

May 10, 2017

Justice Gorsuch can save the UMass GEO -

May 10, 2017

Minutemen third, Minutewomen finish fifth in Atlantic 10 Championships for UMass track and field -

May 8, 2017

UMass women’s lacrosse wins A-10 title for ninth straight season -

May 8, 2017

Dayton takes two from UMass softball in weekend series -

May 8, 2017

Towson stonewalls UMass men’s lacrosse in CAA Championship; Minutemen season ends after 9-4 loss -

May 6, 2017

Zach Coleman to join former coach Derek Kellogg at LIU Brooklyn -

May 5, 2017

UMass men’s lacrosse advances to CAA finals courtesy of Dan Muller’s heroics -

May 4, 2017

On campus: The liberal assault on free speech -

May 4, 2017

No holiday cheer, but “Everybody’s Fine” here

Kirk Jones and company definitely did something right when they made this season’s newest family film, “Everybody’s Fine.” The director, known for “Nanny McPhee,” adapted his new film from 1990’s Italian flick “Stanno Tutti Bene” by Giuseppe Tornatore. The biggest difference, disregarding the obvious language disparity, is the all-star cast Jones has put together.

Robert De Niro stars as Frank Goode, a recent widower who wants to reconnect with his four children, all of whom are spread around the nation. When the kids were younger, Frank worked a lot, so it was his wife who was close with the children. He realizes after they all cancel on him for Christmas dinner plans that he really doesn’t know anything about their lives. So he decides to embark on a tour of cities in the United States, yet in so doing, his worst fears are confirmed. Despite a shiny exterior, he knows nothing about the deeper, darker lives of his own offspring.

De Niro shines as Goode, a character unlike the other greats he’s played in the past. He comes off as a soft yet strong father who has always tried to do the right thing by his family. De Niro proves his acting prowess, bringing heart and emotion to a storyline that no one can deny is extremely predictable.

Big name actors Kate Beckinsale, Drew Barrymore and Sam Rockwell were cast as Goode’s secretive children. They each bring depth and insight into the private lives children try to hide from their parents, children that – despite being advanced in years – continue to crave parental approval. The three really shine as, albeit supporting actors, but stars in their own right in “Everybody’s Fine.” Beckinsale’s type-A character, Amy, whose marriage isn’t as perfect as it seems, Barrymore’s Rosie, a “Daddy’s girl,” and Rockwell’s Robert, a musician constantly seeking approval band together and try to shield the very dark, criminal life of the final son, David.

The chemistry between the characters is palpable. The children are believable, playing close siblings who maintain constant contact after De Niro leaves the home of each one. Their relationships with their father, while different for each sibling, is just like any kid might have. Unfortunately, this makes many of the scenes in between the emotional father-child scenes very unremarkable.

However, this is where “Everybody’s Fine” meets one of its only pitfalls—cornyness. At the introduction of each of Frank’s kids, he sees flashbacks of them as young children. It gets a tad repetitive, and reaches a pinnacle when, after the secrets begin unraveling, questions and shouts at their childish forms.

Despite the season in which it was released and the trailers showing holiday scenes, a holiday film it is not. Quite the opposite; “Everybody’s Fine” is a film that will illicit emotion and only a few laughs. A cast of great dramatic actors and a few comedic ones sprinkled in here and there, “Everybody’s Fine” is certainly not the happy go lucky film it comes off as being in trailers. Movie goers will follow Frank with some trepidation, and end up feeling sorry for him. The questions on everyone’s minds throughout the film will be, “Where is David?” and “When will the kids come clean and tell their father about their real lives?” Will it be too late?

Don’t make the mistake of heading to the theater to see “Everybody’s Fine” to get into the 2009 holiday spirit. Chances are audience members will leave the theater feeling sad, but satiated. The film is, at the very least, a genuinely good movie. It has great characters, a decent plotline, and real life problems. It just happens to be in a winter setting. With any other cast, this film could easily be a flop, but thanks to great casting, “Everybody’s Fine” is a pretty good flick to wrap up the year.

Kate MacDonald can be reached at kaitlynm@student.umass.edu.

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