October 24, 2014

Scrolling Headlines:

Michael Kimmel speaks to UMass students about ‘Guyland’ -

Thursday, October 23, 2014

UMass football looks for third straight win against Toledo on Saturday -

Thursday, October 23, 2014

‘Love is Strange’ is beautiful, painful and groundbreaking -

Thursday, October 23, 2014

White supremacy and settler colonialism at UMass -

Thursday, October 23, 2014

UMass hockey hopes first win will propel them past Hockey East rivals -

Thursday, October 23, 2014

UMass’ second line playing and succeeding with young talent early in the season. -

Thursday, October 23, 2014

‘The Good Wife’ returns as strong as ever -

Thursday, October 23, 2014

Professor receives grant to cover massive election survey panel -

Thursday, October 23, 2014

Unions rally over recent concession proposals -

Thursday, October 23, 2014

NFL Pick’em games return to the Massachusetts Daily Collegian -

Thursday, October 23, 2014

UMass celebrates Campus Sustainability Day -

Thursday, October 23, 2014

“Fury” falls just short of greatness -

Thursday, October 23, 2014

Minutewomen look to continue their season in weekend game against Saint Bonaventure. -

Thursday, October 23, 2014

New meal plans receive mixed reviews from students -

Thursday, October 23, 2014

ISIS’s magazine is good for the West -

Thursday, October 23, 2014

UMass women’s soccer controls its own destiny as conference tournament approaches -

Wednesday, October 22, 2014

UMass soccer deploys new formation with Keys, Jess -

Wednesday, October 22, 2014

UMass calling on young swimmers to continue strong start to the year -

Wednesday, October 22, 2014

WMU, Ohio, NIU pick up wins in busy MAC weekend -

Wednesday, October 22, 2014

A comprehensive guide to the Ebola virus -

Wednesday, October 22, 2014

‘El Camino’ showcases blues rock talents

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Within the past decade, there has not been a band that could effectively fuse blues rock with jam rock. Or at the very least, there was not a group that was based in the blues rock genre.

Many music listeners harked back to the day when groups such as Led Zeppelin and the Rolling Stones dominated the music scene. These were bands that perfectly mixed blues and rock and whose concerts featured long segments of improvisation and jamming. There was a void to be filled in the music world and it was one that had to be filled by the right group.

In 2002, the Black Keys released their first album “The Big Come Up,” which coincidently described how the band would be received by music critics and fans in the decade to come.

Since their debut, the Black Keys have released a total of seven studio albums, two EPs and one bootleg album. All of those releases have showcased the Black Keys’ unique sound.

In December, the Black Keys released “El Camino,” which so far has received strong accolades from the music industry. While the members of the Black Keys – guitarist Dan Auerbach and drummer Patrick Carney – are originally from Akron, Ohio, they moved the production of “El Camino” to a studio in Nashville, Tenn.

The move to Tennessee undoubtedly had influence on the album, as Nashville is known for is vibrant musical history. Influences from early styles of American music can be found on “El Camino” from the opening track.

The album begins with “Lonely Boy,” a track that has a strong opening guitar riff that Auerbach described as being influenced by rockabilly artist Johnny Burnette, who incidentally is also from Nashville. This is probably the more popular track on the “El Camino,” but there are others that display the band’s wide range of musicianship.

And while Auerbach displays his skill with a guitar of many of the tracks, Carney’s power-packed drumming cannot be ignored. The best example of Carney’s drumming is “Dead and Gone,” in which the drumming intro sets the pace and rhythm for the entire song. Soon the whole tune becomes built around Carney’s drumming pattern, almost the same way John Bonham’s hypnotic drumming style carried “Kashmir.”

While the Black Keys are foundationally a blues rock jam band, they experiment in a different style with “Little Black Submarines.” It begins with a slow acoustic set accompanied by soft vocals, but then the tempo slowly picks up and about halfway through the song, a spirited jam session takes over. It is interesting to note that the main lyrics from the acoustic set are repeated in the second half of the song, and yet they have a different feel and meaning to them because of the music.

That is probably one of the best characteristics about the Black Keys – they have an uncanny ability to show different styles in one tune, but then provide different perspectives when listening to the lyrics in both styles. The words “…a broken heart is blind” has a different feel when played in an acoustic atmosphere and a rock style.

One of the best things about the Black Keys themselves is that they are a small band – a duo of just one drummer and one guitarist. They employ other musicians to help them round out their sound. But on “El Camino” the most noticeable thing is the backup female vocalists that find their way onto the album. A solid amount of the songs on “El Camino” have backup singers, making it almost a theme of the album.

The lyrics of the Black Keys are not spectacular or inspiring, but their musical talents are what people see as the best part of the band. Considering that it is just Auerbach and Carney involved with writing and composing the music, their records sound amazing. They each have the right amount of musical skill and talent to do exactly what they need to do: produce great music.

Adam Colorado can be reached at gcolorad@student.umass.edu.

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