October 31, 2014

Scrolling Headlines:

Halloween Special Issue -

Thursday, October 30, 2014

UM alumni hopeful for their up-and-coming snowboard company -

Thursday, October 30, 2014

UMass hockey looks to end road trip on a high note with weekend series against Maine -

Thursday, October 30, 2014

#WrongDoor: Why I am not surprised? -

Thursday, October 30, 2014

B-horror films: hits and misses of the nightmare genre -

Thursday, October 30, 2014

Appreciating campus workers -

Thursday, October 30, 2014

UMass hosts Ebola panel to address concerns of the public -

Thursday, October 30, 2014

UMass Democrats hope to get more students connected -

Thursday, October 30, 2014

The broke college student horror comic buyers guide -

Thursday, October 30, 2014

UMass Republican Club: Not just for Republicans -

Thursday, October 30, 2014

Five reasons why Halloween is the best holiday -

Thursday, October 30, 2014

To live and die and live again -

Thursday, October 30, 2014

The anatomy of a horror game -

Thursday, October 30, 2014

Berger has first shot at securing starting role with UMass basketball -

Thursday, October 30, 2014

Robert Johnson’s deal with the devil -

Thursday, October 30, 2014

Humans vs. Zombies: UMass’ most dangerous game -

Thursday, October 30, 2014

Group Halloween costumes inspired by the roles of Hollywood icons -

Thursday, October 30, 2014

A haunting at UMass -

Thursday, October 30, 2014

At the end of your rope? Write about it. -

Thursday, October 30, 2014

UMass men’s soccer heads down to Carolina for a weekend pair of games -

Thursday, October 30, 2014

The Fashion of Native Sun

Courtesy of SongKick.com

Take a sick beat mixed with African rhythms and drumming, the bold lyrics of Mohammed Yahya about human rights and oppression, and add Sarina Leah’s bluesy Billie Holiday-esque vocals, and you have the recipe for what Native Sun calls “starving artist music.”

Commonly referred to as world town music, it encompasses rhythms that will make you sway, but engage the audience to look deeper. One producing such powerful music needs equally powerful style. I got the chance to speak with Sarina Leah, the singer of the duo, about what inspires her personal style and how does that represent the music. She wore an oversized jacket, vintage dress, black leggings for comfortable movement, Nike high top sneakers and big earrings in the shape of Africa.

Eclectic and urban are the perfect descriptions of the interesting ensemble that the singer pieced together.

“Because I studied fashion, it comes from a make, mend, do point of view” Leah said.

Her Caribbean heritage has contributed to her love of vintage and one-of-a-kind pieces. The mixture of patterns, textures and accessories reflects the conscious music she creates alongside Mohammed Yahya, by using recycled clothing, abstaining from leathers and furs and wearing more ethnic pieces or prints representative of the African culture.

The oversized jacket was a piece she found and added her own personal flair by sewing some of her favorite patterns on. When asked about who her fashion icons were, she said she was a “head hunter” who finds inspiration from whenever she sees something that interests her and dresses according to however she feels, rather than modeling her warbdrobe off of one particular person.

Sarina Leah is the style love child of Erykah Badu’s spontaneous modern African twist and the cool factor of a Andre 3000. Style like Leah’s is timeless because it is personal and unabashed by main stream trends.

You can view more of Sarina’s creations by visiting www.wildsuga.com for more style and vintage inspired pieces.

Nia Decaille can be reached for comment at ndecaill@student.umass.edu.

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