February 27, 2015

Scrolling Headlines:

Report: UMass continues search for new athletic director, DeFilippo not an option -

Thursday, February 26, 2015

UPDATE: Police to charge UMass football player with two counts of aggravated assault and battery -

Thursday, February 26, 2015

Students for Justice in Palestine, administration react to inflammatory posters -

Thursday, February 26, 2015

UMass falls short, lacks energy in 82-71 loss to Saint Joseph’s -

Thursday, February 26, 2015

Drake’s surprise mixtape yields few surprises -

Thursday, February 26, 2015

Potential shutdown of the Department of Homeland Security offers chance for Republican legislature to learn from its mistakes -

Thursday, February 26, 2015

Jose Gonzalez returns with graceful “Vestiges & Claws” -

Thursday, February 26, 2015

Winless UMass faces Brown -

Thursday, February 26, 2015

SGA to host Women’s Leadership Symposium -

Thursday, February 26, 2015

UMass women’s basketball finishes road schedule with matchup against Dayton -

Thursday, February 26, 2015

Keystone XL pipeline sparks pollution awareness -

Thursday, February 26, 2015

Dartmouth and Fordham to start stretch of key games for Minutewomen -

Thursday, February 26, 2015

DeAndre Bembry has career day in win over UMass -

Thursday, February 26, 2015

Discussion on Palestine incorporates history as well as recent posters targeting SJP -

Thursday, February 26, 2015

UMass set for season finale in Connecticut -

Thursday, February 26, 2015

Imagine Dragons deliver nothing but “Smoke & Mirrors” on their second album. -

Thursday, February 26, 2015

UMass student files federal civil rights lawsuit against Amherst police officers after ‘Blarney’ arrest -

Wednesday, February 25, 2015

SGA spring elections campaigns kick off -

Wednesday, February 25, 2015

UMass must contain Bembry in rematch with St. Joe’s -

Wednesday, February 25, 2015

Chaz Williams returns from his stint overseas, signs contract with Maine Red Claws -

Wednesday, February 25, 2015

Advertisement

UMass theater department delivers a hit with “Fools for Love”

Amanda Joinson/Collegian File Photo

A woman sits on a bed staring into nothingness. Across the room, a man sits in a chair off to the right, elbows on his knees, staring at her. The woman, May, is a small-framed brunette with big brown eyes. The man is Eddie, a tall dark haired country boy dressed in a plaid shirt and faded jeans.

Written by Sam Shepard in 1984 and directed by University of Massachusetts student Gracie Baker, “Fool for Love” is a play full of intense acting, moving dialogue and thrilling plot twists. Taking place in a tiny motel room, May, played by UMass theater student Corinne Huschle, and Eddie, played by Daniel Cuff, also a UMass theater student, are exactly what the title infers: fools for love. As they fight nearly to the death about their love, their history unravels before the audience’s eyes and the age old saying is proven true once again: Love will always prevail … but not without complication.

The set, a compact, dimly lit room, is small and simple. There are two doors on either side with a full-sized bed in the center. The curtains are drawn. It’s an intimate setting and the audience is not but two feet from the stage.

The scene opens with an intense silence. There is a small monologue performed by Eddie and then, suddenly, the audience is whipped into a whirlwind of passionate tightening emotion.

The play’s cast performs nothing short of perfection. Huschle delivers each and every line with vicious fire, making the audience feel every single bit of the hurt her unfaithful lover has caused her. Cuff reciprocates the tension with wonderful intensity in his defensive dialogue. Together the two create a more than realistic portrayal of a couple in turmoil.

The intensity of May and Eddie’s fighting is perfectly balanced with comic relief when Martin, played by Tom Kelsey, enters the scene. Taking on the role of May’s date for the night, Martin, a clean-cut, lighthearted British fellow, eases the audience’s angst with his innocence. In the midst of screaming, Martin’s short one-line responses allow for just the right amount of laughter and relief before the scene’s aggression heats back up.

Off to the side of the stage is another man. For most of the show, “The Old Man,” played but Joe Cattoggio, remains quiet, only narrating an action here and there. However, even the quietest of characters have their moments of outbursts. It is not till the end that the old man’s role is truly revealed, and when it is, the play is changed entirely.

For anyone who has ever been in a relationship, especially one with an unfaithful partner, “Fool For Love” is like watching a replay of past life events. It captures the audience from the first second. From that awkward calm before the storm every couple experiences before a big argument, to the moment of revelation when one leaps into the arms of the one they love, swearing to never hurt them again, “Fool For Love” is truly a relatable story for everyone.

Even so, being relatable does not stop this phenomenal play from being unpredictable. Beginning as what seems to be a classic love story of betrayal and reconciliation, the audience is astounded when surprising elements weave their way into the plot line, suddenly turning this love story from classic to controversial.

A short play in comparison to most, “Fool For Love” makes the most of its time on the stage. From the first second, the play twists and turns the audience in every direction possible. Every emotion plays a role -from anger to fear, happiness to despair- yet all are blended beautifully into the intricate theme.

With brilliant acting and an intimate setting, “Fool For Love” forces the audience to leave their realities behind and enter the complicated world of Eddie and May. From the lifelike sound effects to the largely talented cast, the play is nothing short of entertaining and enraptures its audience, leaving them completely breathless, with jaws dropped.

Jessica Troland can be reached at jtroland@student.umass.edu

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