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‘Camila’ brings exposed, deeply moving words to a redundant genre
By
Troy Kowalchuk
January 30, 2018
Charli XCX’s latest release, ‘Pop 2,’ is another gorgeous experiment on electro-pop
By
Troy Kowalchuk
January 23, 2018
Cupcakke’s ‘Ephorize’ proves it’s time to take her seriously
By
Troy Kowalchuk
January 22, 2018
‘Animal Crossing: Pocket Camp’ delivers a promising replica of the console classic
By
Troy Kowalchuk
December 5, 2017
Sia reinvents what it means to create a Christmas album with ‘Everyday Is Christmas’
By
Troy Kowalchuk
November 30, 2017
Kelela’s debut ‘Take Me Apart’ is a captivating, deeply personal exposition on heartache.
By
Troy Kowalchuk
October 18, 2017
‘Skin and Earth’ teaches us how to be our own heroes
By
Troy Kowalchuk
October 2, 2017
Charli XCX’s ‘Number 1 Angel’ shows honesty through redundancy
By
Troy Kowalchuk
April 5, 2017
Tinashe creates her own atmospheric fantasy on ‘Nightride’
By
Troy Kowalchuk
November 16, 2016
Ariana Grande’s ‘Dangerous Woman’ a meaningful contemporary pop masterpiece
By
Troy Kowalchuk
September 7, 2016
All Saints’ ‘Red Flag’ leaves a lasting impression
By
Troy Kowalchuk
April 19, 2016
Santigold breaks out of the package in ‘99¢’
By
Troy Kowalchuk
March 1, 2016
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