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‘One Fine Morning’ deals out harsh truths with genuine empathy
By
Thomas Machacz
, Collegian Staff
March 20, 2023
‘Magic Mike’s Last Dance’ is a betrayal of a beloved series
By
Matthew Catalano
, Collegian Correspondent
March 20, 2023
The Oscars’ rocky relationship with horror
By
Sydney Warren
, Collegian Correspondent
March 2, 2023
‘Ant-Man and the Wasp: Quantumania’ review: The MCU continues to struggle
By
Gustavo Atencio Flores
, Collegian Correspondent
March 2, 2023
‘High and Low’ is still high quality on its 60th anniversary
By
Scott Lerer
, Collegian Staff
March 1, 2023
“Knock at the Cabin” thrills with high-concept emotionality
By
Thomas Machacz
, Collegian Staff
February 21, 2023
Five rom-com recommendations for Valentine’s Day
By
Shannon Moore
, Assistant Arts Editor
February 14, 2023
‘Glass Onion: A Knives Out Mystery’ is too similar to the first film
By
Scott Lerer
, Collegian Staff
February 13, 2023
The best horror films of 2022
By
Thomas Machacz
, Collegian Staff
December 31, 2022
The worst movies of 2022
By
Ashviny Kaur
, Collegian Staff
December 31, 2022
‘Bones and All’ will break your heart before it eats it
By
Thomas Machacz
, Collegian Staff
December 7, 2022
Vices of the father and the son: bad habits in “Silver Linings Playbook”
By
Ashviny Kaur
, Collegian Staff
November 17, 2022
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