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UPCは「ザ・スーパーマリオブラザーズ・ムービー」のナイトを上映する
By
Kalana Amarasekara
,
Blake Trimmer
,
Qianxi Guo
, and
Caitlin Lang
May 10, 2024
“Challengers” balances on-court competition and off-court rivalry with delicious detail
By
Thomas Machacz
, Assistant Arts Editor
May 9, 2024
MaXXXine trailer: Bodaciously fearful
By
Milagros Smith
, Collegian Correspondent
May 1, 2024
Award-winning casting director Cindy Tolan gives seminar at Amherst Cinema
By
Thomas Machacz
, Assistant Arts Editor
April 23, 2024
‘The Grand Budapest Hotel’ at 10 years old: A love letter to the dandy
By
Thomas Machacz
, Assistant Arts Editor
April 21, 2024
‘Civil War’ is a war movie that doesn’t want to talk about the war
By
Thomas Machacz
, Assistant Arts Editor
April 17, 2024
‘Rock.Paper.Grenade’ shows the charming, complex reality of growing up in post-Soviet Ukraine
By
Thomas Machacz
, Assistant Arts Editor
April 3, 2024
The triumphs, upsets and shrugs of the 2024 Oscars
By
Thomas Machacz
, Assistant Arts Editor
March 12, 2024
‘American Fiction’ is more than meets the eye
By
Shannon Moore
, Collegian Staff
February 29, 2024
Hits, misses and impact of the 30th annual SAG Awards
By
Thomas Machacz
, Assistant Arts Editor
February 27, 2024
The inherent exploitative nature of biopics
By
Mary DeCarlo
, Collegian Staff
February 27, 2024
A guide to the Oscars’ 2024 Best Picture nominees
By
Thomas Machacz
, Assistant Arts Editor
February 21, 2024
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