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The triumphs, upsets and shrugs of the 2024 Oscars
By
Thomas Machacz
, Assistant Arts Editor
March 12, 2024
‘American Fiction’ is more than meets the eye
By
Shannon Moore
, Collegian Staff
February 29, 2024
Hits, misses and impact of the 30th annual SAG Awards
By
Thomas Machacz
, Assistant Arts Editor
February 27, 2024
The inherent exploitative nature of biopics
By
Mary DeCarlo
, Collegian Staff
February 27, 2024
A guide to the Oscars’ 2024 Best Picture nominees
By
Thomas Machacz
, Assistant Arts Editor
February 21, 2024
‘All of Us Strangers’ is a romantic but ultimately thin ghost story
By
Thomas Machacz
, Assistant Arts Editor
February 5, 2024
‘Saltburn’ is deliciously disturbing
By
Olivia Baier
, Collegian Staff
December 5, 2023
Diving into the Dark Origins of the games: a review of ‘The Hunger Games: The Ballad of Songbirds and Snakes’
By
Taylor Zirilli
, Collegian Correspondent
November 28, 2023
Don’t judge a book by its movie adaptation
By
Tyvla Abidin
, Collegian Contributor
November 16, 2023
‘Killers of the Flower Moon’: the question of Native representation in film
By
Shannon Moore
, Assistant Arts Editor
November 9, 2023
AMPTP finds itself with enemies on all sides
By
Dominic Papalia
, Collegian Correspondent
November 6, 2023
‘Jennifer’s Body’ is not as feminist as you think
By
Naomi Bloom
, Collegian Staff
November 5, 2023
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