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‘The Grand Budapest Hotel’ at 10 years old: A love letter to the dandy
By
Thomas Machacz
, Assistant Arts Editor
April 21, 2024
A guide to the Oscars’ 2024 Best Picture nominees
By
Thomas Machacz
, Assistant Arts Editor
February 21, 2024
‘Saltburn’ is deliciously disturbing
By
Olivia Baier
, Collegian Staff
December 5, 2023
AMPTP finds itself with enemies on all sides
By
Dominic Papalia
, Collegian Correspondent
November 6, 2023
‘Jennifer’s Body’ is not as feminist as you think
By
Naomi Bloom
, Collegian Staff
November 5, 2023
‘Taylor Swift: The Eras Tour’: A concert film spectacle beyond our wildest dreams
By
Nathan Legare
, Collegian Staff
October 16, 2023
The ripple effect of ‘Barbie’
By
Mary DeCarlo
, Collegian Contributor
October 1, 2023
‘Past Lives’ crafts new dimensions of love and loss
By
Catharine Li
, Collegian Correspondent
September 10, 2023
A24 has found its stride in horror
By
Olivia Baier
, Collegian Correspondent
May 16, 2023
‘Zodiac’ at Amherst Cinema: a thrill of a time
By
Sydney Warren
, Collegian Correspondent
May 8, 2023
Mis películas favoritas dirigidas por mujeres
By
Ashviny Kaur
,
Kristen Matul Toc
, and
samuel suárez murias
April 9, 2023
‘Dungeons and Dragons: Honor Amongst Thieves’ manages to perfectly convey the magic of Dungeons and Dragons on the big screen
By
Gustavo
, Atencio Flores
April 6, 2023
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