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‘Good Riddance’ redefines the lyrical pop genre
By
Kaviya Raja
, Collegian Correspondent
March 8, 2023
Spotify Wrapped
By
Shanti Furtado
and
Caitlin Reardon
December 14, 2022
Album review: ‘Her Loss’ by Drake and 21 Savage
By
Shannon Moore
, Assistant Arts Editor
November 8, 2022
Charlie Puth releases long-awaited third studio album, ‘Charlie’
By
Colin McCarthy
, Assistant Sports Editor
October 10, 2022
New Mitski release “Working for the Knife” explores the perils of creativity
By
Sierra Thornton
, Collegian Contributor
October 11, 2021
GAS returns with the stirring, often ominous ‘Narkopop’
By
Jackson Maxwell
May 1, 2017
Posthumous J Dilla compilation ‘Motor City’ reminds us of his brilliance
By
Matthew Joseph
April 30, 2017
‘Godspeed’ is a journey into new musical territory for Amherst rapper NliteN
By
Daniel Mahoney
April 23, 2017
Even crowd-pandering can’t dull the brilliance of Actress’ ‘AZD’
By
Matthew Joseph
April 23, 2017
Kendrick Lamar comes clean with brilliant, frustrated ‘DAMN.’
By
Lauren Crociati
April 23, 2017
Mount Eerie confronts the pains of loss on ‘A Crow Looked at Me’
By
William Plotnick
April 9, 2017
‘Mono No Aware’ is a tantalizing glimpse of the future of ambient music
By
Jackson Maxwell
April 9, 2017
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