April 17, 2014

Scrolling Headlines:

John Ashcroft faces criticism during speech -

Thursday, April 17, 2014

UMass football continues move in new direction in annual Spring Game -

Thursday, April 17, 2014

Student rally in support of Gordon, LGBTQ community -

Thursday, April 17, 2014

Thousands gather in Amherst Commons for 23rd Annual Extravaganja -

Thursday, April 17, 2014

Sexual violence is not ‘normal’ -

Thursday, April 17, 2014

One year after Boston Marathon bombings, UMass doctor Pierre Rouzier continues passion to help -

Thursday, April 17, 2014

Photo Slideshow: UMass United Rally -

Thursday, April 17, 2014

Get Yourself Tested at UMass -

Thursday, April 17, 2014

Library labyrinth targets stress -

Thursday, April 17, 2014

There is nothing to debate about global warming -

Thursday, April 17, 2014

UMass hits the road to take on LaSalle -

Thursday, April 17, 2014

No. 11 UMass women’s lacrosse looks to extend winning streak against Richmond -

Thursday, April 17, 2014

Southeastern Conference commissioner Mike Slive latest McCormack Executive-in-Residence -

Thursday, April 17, 2014

Got a little Irish in you? -

Thursday, April 17, 2014

UMass doctoral student awarded Soros Fellowship -

Thursday, April 17, 2014

UMass Dressage Team discusses the lesser-known sport -

Wednesday, April 16, 2014

Canelas: Things worth watching in Spring Game 2014 -

Wednesday, April 16, 2014

‘The Walking Dead’ finale resurrects a dull season -

Wednesday, April 16, 2014

Five places to study at UMass -

Wednesday, April 16, 2014

UMass tennis team battles injuries as season comes to an end -

Wednesday, April 16, 2014

DSO bring back the Dead

Courtesy of Myspace

This past Thursday, the illustrious Dark Star Orchestra did not disappoint fans at the Calvin Theatre.

In the seating section and the pit, the fans trickling in appeared to be surprisingly diverse for a Grateful Dead cover band. The pit was full of not only a great deal of older fans, but also a wider spectrum of the younger fans. Instead of the expected tie-dye and bandanas, a great deal of the college-age crowd was wearing street clothes, such as jeans and t-shirts, certainly not what would commonly be labeled as “hippie” clothes. This was rather curious since, as one could imagine, The Dark Star Orchestra has a reputation for drawing a crowd similar to that of the Grateful Dead.

Dark Star Orchestra strolled on stage at around 8:15 p.m., and got right to work making final adjustments and tuning up. They didn’t waste any time with an opening band, and didn’t say much before diving into their first set.

The groove of the two drummers together immediately laid down a foundation for the rest of the band. As the performance went on, they seemed to synch up even more, with tighter and longer jam sessions. Each song spilled further and further out into improvisation, only to recede back into a familiar chorus such as “Don’t murder me, oh I beg you, please don’t murder me,” from “Dire Wolf,” or, “Tennessee, Tennessee, there ain’t no place I’d rather be,” from “Tennessee Jed.”

The improvisation bubble finally appeared to pop as the jam in “New Minglewood Blues” erupted with some serious shredding from lead guitarist Jeff Mattson into a terrific climax by the entire band before they came in one last time to finish the song. 

Then, just when it looked like the band couldn’t take it any higher, they burst into “The Music Never Stopped” and rode it out for what seemed like an eternity. They effortlessly switched the rhythm into three-four time and then back to four-four time without missing a beat. DSO raged harder and harder with every note until they reached the very end. After that, they left for a set break, which gave the crowd a chance to take a rest and recover from the powerful performance.

 At this point, anyone would be sufficiently convinced of this band’s precision and skill in not only their art, but also in recreating an atmosphere comparable to that of the Grateful Dead themselves.

At around 9:30 p.m., Dark Star Orchestra returned for a second and final set and were met by the eager and energized audience. Sure enough, the band got right back to work building on each others’ playing and closing in on some terrific sounds.

 They branched farther out with each song and blew the crowd away with their persistent groove. At times these jams would get a little off track or seem to float off course for a little too long, but the crowd never stopped dancing. DSO always rewarded their loyal fans with something even better than before.

Towards the end of the set, the band played “Dancing in the Street” for one of the longest jams of the night, which led into a duet from the two drummers, who kept a furious pace throughout the show.

To the dismay of the audience, DSO eventually had to bring the night to a close.  Euphoric yet exhausted, fans sluggishly walked away from the Calvin, excited to have added another show to their growing list. DSO later announced they had played the Grateful Dead set from the Paramount Theater in Portland, Ore. on Oct. 1, 1977, exactly 33 years ago.  In a sense, the audience came as close to experiencing the real Grateful Dead as anyone could possibly hope for.

David Kincaid can be reached at dkincaid@student.umass.edu.

Comments
One Response to “DSO bring back the Dead”
  1. Tie Dyed Jim says:

    DSO is a great band. If you are expecting to see a lot of patchouli wearing tie dyed road warriors then you’re gonna be disappointed. The tie dyes are still there but most of the kids today have more than one shirt, thank God! I used to tour around with The Grateful Dead and trust me there is no finer representation of the spirit of The Dead than Darkstar Orchestra. The music never stopped. The destination…Furthur. These guys are all amazing musicians and serve up an audible treat for those lucky enough to venture. If you ever have the chance then drag your ears to where these guys play. Trust me, your ears will thank you.

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