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Coppola’s newest endeavor ‘Priscilla’
By
Olivia Baier
, Collegian Staff
November 16, 2023
‘For All the Dogs’: Drake just wants to have fun
By
Lucas Ruud
, Editor-in-Chief
October 30, 2023
It’s time we faced the music about climate change
By
Grace Chai
, Collegian Correspondent
October 10, 2023
The boys are back in town with ‘the rest’
By
Mary DeCarlo
, Collegian Contributor
October 10, 2023
The ripple effect of ‘Barbie’
By
Mary DeCarlo
, Collegian Contributor
October 1, 2023
Artist Profile: The Q-Tip Bandits
By
Peter Tuohy
, Collegian Contributor
September 25, 2023
Exhibición de los Apartamentos Fieldstone revela nuevos detalles acerca del alojamiento en el campus
By
Ethan Brayall-Brown
,
Kristen Matul Toc
, and
samuel suárez murias
April 2, 2023
Harto Falión: A unique Calvinist voice in rap
By
Jackson Walker
, Collegian Correspondent
February 15, 2023
Five rom-com recommendations for Valentine’s Day
By
Shannon Moore
, Assistant Arts Editor
February 14, 2023
The best horror films of 2022
By
Thomas Machacz
, Collegian Staff
December 31, 2022
Amherst necesita vida nocturna más vibrante
By
Araz Havan
,
Raksha Pokharel
,
Kristen Matul Toc
, and
samuel suárez murias
December 18, 2022
‘Stars at Noon’ review: An erotic thriller for a fraught political landscape
By
Thomas Machacz
, Collegian Staff
October 31, 2022
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