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Album review: Penelope Scott’s double EP
By
Naomi Bloom
, Collegian Staff
November 29, 2023
Album Review: ‘Blanket’ by Kevin Abstract
By
Kaviya Raja
, Collegian Staff
November 7, 2023
Album review: ‘Hackney Diamonds’ by the Rolling Stones
By
Kaviya Raja
, Collegian Staff
October 25, 2023
Album Review: boygenius’ ‘the rest’
By
Olivia Doherty
and
Suzanne Bagia
October 22, 2023
Sufjan Stevens embarks on a divine exploration of love with ‘Javelin’
By
Matthew Catalano
, Collegian Correspondent
October 12, 2023
Blur’s “The Ballad of Darren,” a celebration of growing older
By
Gustavo Atencio Flores
, Collegian Correspondent
October 10, 2023
Harmonious Friendship: A boygenius album review
By
Andrew C. Freeman
, Collegian Correspondent
April 24, 2023
A summary of “Did you know that there’s a tunnel under Ocean Blvd”
By
Paige Hanson
, Collegian Staff
March 29, 2023
Yves Tumor’s successful experiment
By
Jack Burns
, Collegian Correspondent
March 21, 2023
‘Good Riddance’ redefines the lyrical pop genre
By
Kaviya Raja
, Collegian Correspondent
March 8, 2023
Reflecting on MARINA’s “Electra Heart” album ten years later
By
Sierra Thornton
, Collegian Staff
October 2, 2022
‘Red (Taylor’s Version)’ is all too good
By
Shannon Moore
, Collegian Correspondent
November 26, 2021
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