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Inside the mind behind Esmer’s music
By
Andre Ayuyao
, Collegian Correspondent
May 16, 2023
A24 has found its stride in horror
By
Olivia Baier
, Collegian Correspondent
May 16, 2023
Top highlights from season 48 of ‘Saturday Night Live’
By
Asha Baron
, Assistant Op/Ed Editor
May 16, 2023
‘Beastie Boys Story’ review: Three bad brothers you know so well
By
Sydney Warren
, Collegian Staff
May 9, 2023
UMass AASA’s Asian Night takes over the Mullins Center
By
James Rosales
, Head Arts Editor
April 26, 2023
‘Dungeons and Dragons: Honor Amongst Thieves’ manages to perfectly convey the magic of Dungeons and Dragons on the big screen
By
Gustavo
, Atencio Flores
April 6, 2023
‘Alright, Alright, Alright’: Thirty Years of ‘Dazed and Confused’
By
Sydney Warren
, Collegian Correspondent
April 6, 2023
Weekly Playlist: Staff picks for Women’s History Month
By
Collegian Staff
March 31, 2023
The women of ‘boygenius’
By
Paige Hanson
, Collegian Staff
March 8, 2023
‘Good Riddance’ redefines the lyrical pop genre
By
Kaviya Raja
, Collegian Correspondent
March 8, 2023
‘High and Low’ is still high quality on its 60th anniversary
By
Scott Lerer
, Collegian Staff
March 1, 2023
Weekly Playlist: TikTok continues to dominate music
By
Collegian Staff
February 21, 2023
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