Scrolling Headlines:

UMass women’s soccer falls to Central Connecticut 3-0 in home opener -

August 19, 2017

Preseason serves as opportunity for young UMass men’s soccer players -

August 13, 2017

Amherst Fire Department website adds user friendly components and live audio feed -

August 11, 2017

UMass takes the cake for best campus dining -

August 11, 2017

Two UMass students overcome obstacles to win full-ride scholarships -

August 2, 2017

The guilt of saying ‘guilty’ -

August 2, 2017

UMass tuition set to rise 3-4 percent for 2017-2018 school year -

July 18, 2017

PVTA potential cuts affect UMass and five college students -

July 10, 2017

New director of student broadcast media at UMass this fall -

July 10, 2017

Whose American Dream? -

June 24, 2017

Man who threatened to bomb Coolidge Hall taken into ICE custody -

June 24, 2017

Cale Makar drafted by Colorado Avalanche in first round of 2017 NHL Entry Draft -

June 24, 2017

Conservatives: The Trump experiment is over -

June 17, 2017

UMass basketball lands transfer Kieran Hayward from LSU -

May 18, 2017

UMass basketball’s Donte Clark transferring to Coastal Carolina -

May 17, 2017

Report: Keon Clergeot transfers to UMass basketball program -

May 15, 2017

Despite title-game loss, Meg Colleran’s brilliance in circle was an incredible feat -

May 14, 2017

UMass softball loses in heartbreaker in A-10 title game -

May 14, 2017

Navy sinks UMass women’s lacrosse 23-11 in NCAA tournament second round, ending Minutewomen’s season -

May 14, 2017

UMass softball advances to A-10 Championship game -

May 13, 2017

Twin River unveil infectious, exciting debut LP

Canada has recently been perfecting its spin on the doe-eyed, indie-pop genre. Vancouver trio Twin River’s debut album, “Should The Light Go Out,” released Feb. 17, acts as an impressive part two of a one-two punch of Canadian indie-pop when paired with fellow Canadians Alvvays’ self-titled 2014 debut.

And while “Should The Light Go Out” doesn’t have an unforgettable world-beater of a single a la Alvvays’ “Archie, Marry Me,” it does share quite a bit of the sonic DNA that made “Alvvays” such a surprisingly phenomenal record. The choruses are huge and delightful, the female lead singer’s – in this case Courtney Ewan Bromley – vocals are impeccably smooth and sweet and everything is absolutely drenched in flattering, warm reverb.

Twin River began as a folk duo consisting of Bromley and guitarist Andy Bishop, who, as Bromley said in an interview with CBC Radio, mostly “sat cross-legged on stools.” Over the years, they transformed themselves from a melancholy acoustic duo playing stark, spare tracks to the spirited garage-pop group they are. And though they did not begin life in the clothes they are in now, the sound the band adopted fits perfectly.

“Bend to Break” is a simple, but insanely catchy thrill ride. Barely clocking in at two minutes, its guitars struggle to catch up with the song’s breakneck rhythm. Ragged, but deceptively well written, it’s a wildly fun piece of garage rock and pop.

“Secret In A Séance,” with its vintage garage rock and early 60’s girl group influences, brings Black Lips to mind – a recurring sonic touchstone throughout the album. “He’s Not Real and He Ain’t Coming Back” slows things down, and as a gorgeous ballad, hits all the right notes. Bromley’s voice booms through the speakers, while the song’s synths tower imposingly over the song, stamping the song’s dramatic emotions down with authority. “Get Gone,” despite clocking in at almost five minutes, loses none of the album’s early momentum, delivering more well-constructed hooks and yet another triumphant chorus.

On the album’s second half, however, Twin River tries to cross more experimental terrain, with unfortunate results. “Should The Light Go Out” is always at its most effective when at its most simple: doling out delightful, bite-sized pieces of garage-pop. “Golden Man,” a mammoth, 10-minute art-rock epic, sticks out on the album like an incredibly sore thumb.

Though its consistent rhythm and interesting harmonies make it hypnotic at first, the spell fades quickly. Unfortunately, though, the song has six verses to plow through before it gives way to the next track. Though one can look at it as an admirable experiment, on an album where speed and simplicity win the day, “Golden Man” destroys the album’s early momentum.

Even when “Should The Light Go Out” returns to its original, winning formula for its final two tracks, “Laugh It Off” and “A Thousand Times,” one can’t help but feel like the band made a grave mistake with “Golden Man.” But, not all albums are perfect from beginning to end, especially ones that focus so heavily on zippy, two-minute singles. So, at the very least, Twin River cooked up four or five tracks that you really cannot go wrong with. So sit back, press play and pretend it’s summer already.

Jackson Maxwell can be reached at and followed on Twitter @JMaxwell82.


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