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Alisan Porter Returns to the Road: An Interview
By
Suzanne Bagia
, Assistant Arts Editor
November 20, 2024
‘VEEP’: An unlikely remedy to post election depression
By
Olivia Baier
, Collegian Staff
November 20, 2024
15 songs to hold your hand through your breakup
By
Ava Hebenstreit
, Collegian Staff
November 19, 2024
Superstitious rituals in sports
By
Gustavo Atencio Flores
, Head Arts Editor
November 18, 2024
What the 2025 Grammy nominations say about this year’s music
By
Suzanne Bagia
, Assistant Arts Writer
November 18, 2024
UMass Theater Department kicks off 2024-25 season with ‘John Proctor Is The Villain’
By
Medha Mankekar
, Collegian Staff
November 18, 2024
Through ‘WIRE-LESS’ and Midbloom, George Adams conveys his creativity
By
George Coulouras
, Collegian Correspondent
November 14, 2024
Greg Mendez after ‘Greg Mendez’
By
Suzanne Bagia
, Assistant Arts Editor
November 10, 2024
WMUAs Battle of the Bands meets Halloweekend
By
Medha Mankekar
, Collegian Staff
November 10, 2024
Predicting the 2025 Grammy Nominations
By
Suzanne Bagia
, Assistant Arts Editor
November 7, 2024
‘We Live in Time’ is a timeless, modern-day classic
By
Victoria Thompson
, Assistant Arts Editor
November 7, 2024
The Dropkick Murphys: 90s nostalgia, mosh pits and big statements
By
Dylan Podlinski
, Collegian Staff
November 4, 2024
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